SKU: 89639168148
jhs preamp pedal

jhs preamp pedal JHS Pedals Overdrive Preamp freeshipping

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Description

jhs preamp pedal JHS Pedals Overdrive Preamp freeshippingIn 2019 I stumbled across a pedal that didnt exist. Yeah, cue the Twilight Zone theme song. It was a DOD Overdrive Preamp that predated the Gray Box 250 pedals that everyone myself included had assumed were the first version ever made. The pedal was encased in a large gray folded metal enclosure that resembled Electro Harmonix more than DOD, and it was conspicuously lacking the 250 model number. The typeset and DOD logo were different, but it still

In 2019 I stumbled across a pedal that didn’t exist.

Yeah, cue the Twilight Zone theme song.

It was a DOD Overdrive / Preamp that predated the “Gray Box” 250 pedals that everyone– myself included –had assumed were the first version ever made. The pedal was encased in a large gray folded metal enclosure that resembled Electro-Harmonix more than DOD, and it was conspicuously lacking the “250” model number. The typeset and DOD logo were different, but it still had the same charm and quirky feel of the vintage 1970s DOD. The sticker on the pedal’s backplate said “DOD Electronics Company” and listed the home address of founder David Oreste Di Francesco, as well as a number: 75. According to my interview with David himself a year later, I had found the 75th DOD pedal ever made and one of the first ten DOD Overdrive / Preamps (250) ever sold. This stompbox represented the genesis of “America’s Pedal.” For a pedal historian, it was the equivalent of uncovering the Dead Sea Scrolls. 

The internals featured a floating/loose hand-etched PCB and the same DOD 250 circuit, but with a few changes. The internal parts dated as early as 1972 and, according to David, were harvested from old radios and electronics he scavenged when he started building his first effects. 

The JHS Overdrive Preamp is a faithful replication of this unobtainable V1 of DOD’s most loved pedal. The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. 

This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/mids. This is a must-have addition to any DOD collector’s lineup, or for anyone who's curious about how it all started. 

The standard Overdrive / Preamp will be part of our normal JHS lineup. Buy yours today and experience the history of one of the greatest overdrive/preamp circuits ever made.

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SKU: 89639168148

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Lavender
Battle Creek, US
★★★★★ 5
Extraordinary Chronicle of an Avenging Warrior
I purchased this book, although I had read this several years ago. My interest to revisit the novel was aroused when I read The Good Lord Bird and viewed the series. There are strong parallels in the struggles and the motivations explored in these works. Styron is a talented writer who makes this history come alive and gather relevance. The brutal consequences of an impossible circumstance lives on through this century as the legacy of slavery is explored in splendid literary works such as this powerful novel. I highly recommend it.
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Reviewed in the United States on April 7, 2021
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Kenny of LA
West Palm Beach, US
★★★★★ 4
Make Sure You Read the Vintage Edition with the Afterword
I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner. I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl). As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint. It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD. Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
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Reviewed in the United States on September 26, 2008
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Cstro
Lowell, US
★★★★★ 5
I loved this book.
I read this book for my book club and I thought it was beautifully written. It has stayed with me for weeks now. I love when a book does that. I'm glad I wasn't swayed by controversy. I had no problem with the fact that the author was white and using a black voice(maybe because I'm white - but I do like when an author gets the voice right and I thought Styron did that). I didn't understand the charges of racism after reading the book. Sometimes I wonder if, what some people find uncomfortable, they label as racist or sexist or whatever. Anyway, I would encourage everyone to read this book because it gave me a fresh awareness of a huge part of U.S. history, it reminded me that there are always gray areas to consider and it was a great novel. You might think so too.
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Reviewed in the United States on February 8, 2007
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Devin T.
West Palm Beach, US
★★★★★ 5
great read
I enjoyed this book. As a person who enjoys history this book was a great read for me and the author gives an in depth vision on the trial.
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Reviewed in the United States on September 14, 2023
J
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John Tailor 2048
Lexington, US
★★★★★ 3
Nat Turner was NOT happy
I think Mr Styron may have took some liberties with Nat Turner's "orientation" without the research or data to support his opinion.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 20, 2016

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